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Fire
Windlesham Theatre, 30th
Nov & 1st Dec 2007
sueholton.co.uk
Due to attending the Dave Cousins and
Vince Martyn gig in Deal the previous night, Mike and I were
only present on the 1st Dec performance of the Magic Shoemaker,
when I had volunteered my services as camera crew. The film
footage I'm delighted to say, has turned out great, and will
hopefully be edited into a DVD at some point soon. Mike took on
duties as stills cameraman, coping with the dry ice machine,
strobe lights and dim lighting meant the results were not always
great, but certainly give a flavour of the event. The whole
performance was extremely well received, and the following
review was written by Pete Bradley, who says it all.

"We set the dashboard to 1970 and hit
55mph just as the bolt of lightning hit the clock tower to
travel back to the future not just once but twice this weekend.
Yes this was history. History because this was the first time
that Fire had played together in 37 years. History because The
Magic Shoemaker had never been performed live before. History
because it was, well, historical.
But this was no dusty museum exhibit. This was the Future we
were witnessing. These two concerts by these stunningly talented
musicians cannot possibly be the last that they will ever play.
Dave said that there was all sorts of media interest from around
the world, including Japan. so there could well be many more
concerts to come.
The number of concept albums produced, particularly in the 60s
and 70s, is legion, and if you count Sgt Pepper whose sole
concept seemed to be to make the Beatles lots of money, the
number of concept albums is legion and one. There are also
thousands of albums of musicals and film scores, but there are
very few rock operas. Tommy, Quadrophenia, and The Wall are the
only ones that spring to mind, and possibly The Lamb Lies Down
on Broadway, though I've never had a clue what that ones about.
Oh, and of course, The Magic Shoemaker.
A rock opera, as well as telling a story has to be theatrical,
and when on record, the theatre all takes place in your head, so
when you see it live, there is a risk that the reality will
disappoint. Dave Lambert had been very careful to ensure that
this wasn't the case. He had choreographed the lighting to give
a sixties feel, and even included stroboscopic lights, which
nowadays in this era of health and safety is a rarity, and the
whole performance, including his costumes enhanced the music
rather than detracted. The lighting was a little dim, which made
photography harder, but, along with the dry ice, it all added to
the atmosphere. But the theatre didn't stop there. The
programmes and even the tickets were works of art, even priced
in pounds, shillings and pence.
The stage was set with two harelquined mannequins, (try saying
that when you've had a few), on stage right, with an image of a
castle on a hill projected at the rear.
The narrator, Ray Hammond, Fire's original manager, stood on
stage left, in the only well lit part of the stage, with Bob
Voice on drums at the rear, Dick Dufall on bass and backing
vocals to the left, and Dave Lambert on the right.
To emphasise that this was a performance, and not just a rock
concert, they started in very dim light with a pre-recorded tape
of the band playing through themes from the show, during which
the musicians took their place on the stage.
The lights came up on Ray, who introduced the show by saying
that this wasn't just one fairy story, but two. There was the
story of The Magic Shoemaker and also the story of Fire.
Dave had adapted the story line, to involve a Romeo and Juliet
like romance as the reason behind the war that the Shoemaker
prevents. This allowed him to weave other Fire material in to
the show, including not only Treacle Toffee World and Father's
Name is Dad, but also the stunning original version of It's Just
Love, as recently released on Taste.
We all know how good a guitarist Dave is. We had been really
excited at the prospect of seeing Dave playing keyboards, and he
didn't disappoint. Watch out John Hawken. Not only that, but
Dave demonstrated that he is a pretty mean harmonica player as
well.
Paul Brett, although not an original member of Friday's Chyld
had played on the Magic Shoemaker, and had intended to play on
these two concerts. He had had to drop out at the last minute
for family reasons, and the rest of the band had only had two
rehearsals without him. You could not tell. Both performances
were immaculate, and you would have thought that they had been
playing together for years. The only the obvious change was that
as Paul had been going to play DC's banjo part in Children Of
Imagination, they finished with a reprise of Father's Name is
Dad.
Neil Byford, as well, put in an amazing performance in the
background, swapping and tuning Dave's guitars between songs.
There was less of an audience on Friday, so there was space for
tables and chairs, but Saturday night was sold out, and the
auditorium was filled with rows and rows of a very appreciative
audience. In fact the Saturday night audience were fabulous.
There were many young faces which was lovely, as it meant it
wasn't just us old hippies there. The audience ooh-ed and aah-ed
at the narration, which made Dave chuckle, particularly at the
gasp of shock that met the news that the Princess was pregnant.
Good audience participation in Happy Man Am I, and a spontaneous
standing ovation at the end.
My favourite track? Difficult as everything was so good, but I
think I'd have to plump for "I'd Like to Help You If I Can".
Dick laid down a stunning Blues bass riff, and Dave topped it
off with some virtuoso guitar. Loved it.
Dave is keen for as much publicity as possible for this show,
and there will definitely be a CD released. Dick, Ali, Sue and
Les all worked tirelessly to film the show, and hopefully Les
will be able to mix this together to produce a DVD. I filmed
much of it on my camera which will be of a lower resolution than
their more professional equipment, so may not be of use to mix
with the rest, but may well be good enough to appear on Fire's
MySpace or Youtube. I gave a copy of my Friday recordings to
Dave the next day so that he can exercise his editorial rights
on it before any of it gets publicised. If you weren't there,
don't worry. Some of the video will be released at some time."
Thanks Pete!
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